When the local florist, calls while you are in the bath to say they have hidden something behind your porch chair.... You discover a message from your beloved daughter.
By day, I count the inequities now underscored and bathed in broad daylight by pandemic effects. The youth with no future. The aged warehoused in dead zones. The mothers whose workday suddenly expands with childcare, teaching, and at-home paid labour. For instance, in my old haunt - the university, academic women’s publications have fallen off precipitously since COVID-19 appeared. The pandemic operates like a magnifying glass of injustices. ...Once I went for walks in the ravine. Now I listen to the rain from underneath the covers. The monsoon that is late May and sometimes June promises to go on through the summer. My psychic drama.
This pandemic, like a dark bird of history pierced the thin membrane of our personal world. Ripped open we feel the call of friends lost and and found. Their voices sound in our dreams. We bear witness to our loss. Our bounty. And reach across to others. ...In this new era, COVID-19 time, this impulse to connect, an essential element in our well-being, is enabled by our digital technology. Isolated in our homes or wherever we find ourselves, connections stretch out the minutes of our day into a zone of contemporaneous aliveness. We humans peer at each other through machines. Our bodies relax or contort into awkward postures scrunched down on a chair - or standing, our weight on one foot, at the sink.
In recounting the process that led to his life as a single father, a man with the financial means to give up paid labour describes how he quit his lawyer job and migrated from his homeland to enhance his life as a parent. His young son was born via a surrogate. And his access to… Continue reading On “good enough” balance: parenting, work, & adoption
Two things are happening simultaneously. A propellor whirls. My being is moving in two directions. My body is twinned in two places at once. The present tense and my long ago past collide every morning. I am in 2020 Oaxaca City, Mexico City. And in my great grandmother’s nineteenth-century English home.